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Eng. samenvatting
Bible NT. Gospels. Mark --- Marc l'Evangéliste, Saint --- Marcus de Evangelist, Heilige --- Nieuwe Testament --- Nouveau Testament --- Bible --- Criticism, interpretation, etc --- Criticism, Redaction --- Criticism, Narrative --- 226.3 --- Academic collection --- 227.4 --- Evangelie van Marcus --- Evangelie : Marcus --- Evangelie volgens Marcus --- biblical studies --- C1 --- Bijbel --- Kerken en religie --- Bible. --- Marco (Book of the New Testament) --- Mark (Book of the New Testament) --- Markus (Book of the New Testament) --- Markusevangelium --- Vangelo di Marco --- Criticism, interpretation, etc. --- Criticism, Narrative. --- Criticism, Redaction. --- Bible. N.T. Mark --- 20th century --- Book of Mark --- Bible. n.t. marc --- Critique, interpretation, etc
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Proverbs. Phrases --- Dutch language --- Proverbs, Dutch --- History and criticism. --- Proverbes néerlandais --- Néerlandais (langue) --- Mots et locutions --- 839.3-84 --- Nederlandse literatuur: spreuken; citaten --- 839.3-84 Nederlandse literatuur: spreuken; citaten --- Dutch proverbs --- History and criticism --- Proverbes néerlandais
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The societal dimension of music in urban life in the late seventeenth and eighteenth centuries. Although early modern urban musical life has been the object of investigation with several researchers, little is known about the ways in which musical cultures were integrated within their broader urban environments. Building upon recent trends within urban musicology, the authors of this volume aim to transcend descriptive overviews of institutions and actors involved with music within a given city. Instead, they consider the urban environment as the constitutive context for music making, and music as a significant aspect of urban society and identity. Through selected case studies and by focusing on three 'musical circuits'-opera and theatre music, sacred music, and secular songs-this book contributes to a more effective understanding of music in late seventeenth- and eighteenth-century urban societies in the southern Netherlands and beyond.
Music --- History and criticism --- Social aspects --- History and criticism. --- History of Belgium and Luxembourg --- muziekgeschiedenis --- History of civilization --- anno 1700-1799 --- anno 1600-1699 --- Flanders --- Academic collection --- 78 <09> <493> --- 78 <09> <493> Muziekgeschiedenis--België --- Muziekgeschiedenis--België --- Musique --- Music and society --- History --- France --- Paris (France) --- 17th century --- 18th century --- Antwerp (Belgium) --- Culture --- Opera --- Stage history --- Belgium --- 78.25 --- Music - Europe - 17th century - History and criticism --- Music - Europe - 18th century - History and criticism --- Music - Social aspects - Europe
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Von Abraham Willemssens, einem Antwerpener Maler des 17. Jahrhunderts, sind zahlreiche signierte Gemälde bekannt. Ihm lässt sich das Monogramm AB(verbunden) W sicher zuordnen. Wem aber ist das Monogramm A.W.IN.F. zu zuweisen? Der vorliegende Band begibt sich entlang der Verkaufsbücher der Antwerpener Kunsthändler Forchondt und Musson sowie dem 12 bändigen Verzeichnis der Antwerpener Kunstinventare von Duverger im Antwerpener Kunsthandel des 17. Jahrhunderts auf Spurensuche. Bislang differierten die Zuschreibungen des Monogramms A.W.IN.F. zwischen Abraham Willemssens und anderen Malern, wie z. B. Artus Wolffort, Abraham Willaerts, Adam Willaerts, Adriaen Willenhoudt und Antoni Willemssens. Die Aufzeichnungen der Antwerpener Kunsthändler Musson und Forchondt belegen aber, dass zumindest vier Mitglieder der Familie Willemssens als Maler für sie tätig waren: Abraham, Antoni, Angela, Gilliam Willemssens. Eine Werkstatt bestehend aus den Mitgliedern einer Familie, die mit einem Werkstattmonogramm zeichnete?! Bei den Inhalten der Gemälde dieser Werkstatt handelte es sich vorwiegend um religiöse Themen, dem Vorbild der Gemälde der großen Antwerpener Meister nachempfunden, die ins europäische Ausland vorwiegend nach Paris zu dem Kunsthändler M. Picard, nach Spanien und ins spanische Amerika ausgeführt wurden. Dem Autor gelingt es, durch statistische Aufarbeitung der Kunstinventare, den Antwerpener Kunsthandel des 17.Jahrhunderts am Beispiel des Malers Abraham Willemssens und seiner Werkstatt neu zu beleuchten.
Painting --- attribution --- Willemsen [Family] --- Willemsen, Abraham --- monograms --- Painting, Belgian --- Willemssens family --- Willemssens, Abraham --- Criticism and interpretation. --- Belgian painting --- Antwerpse school
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Art --- History as a science --- art criticism --- kunstkritiek --- literaire kritiek --- Royal Museum of Fine Arts [Antwerp] --- Royal Academy of Fine Arts [Antwerp]
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Music --- beiaarden --- muziekgeschiedenis --- muziekleven --- anno 1700-1799 --- Flanders --- transcripties (muziek) --- Musique --- Muziek --- Carillon music --- -History and criticism --- -#BIBC:02.43 ALAMIRE --- #C9205 --- History and criticism --- Yearbooks --- Special issues --- 78.089.62 --- -Music --- -Carillons --- Bells --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Muziek--?.089.62 --- 78.089.62 Muziek--?.089.62 --- #BIBC:02.43 ALAMIRE --- History and criticism. --- Muziekgeschiedenis --- Essays --- Instrumentaal --- Kerstmis --- Kerstliederen --- Pasen --- Beiaard --- Vlaanderen --- Antwerpen --- Nederlanden --- Liederen --- 18e eeuw --- Zonder onderwerpscode: muziek --- -Muziekgeschiedenis
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Duitse letterkunde --- Littérature allemande --- literature [writings] --- Lot, vrouw van --- Civilization, Medieval, in literature. --- Death in literature. --- Love in literature. --- Civilization, Medieval, in literature --- Love in literature --- -Civilization, Medieval, in literature. --- -Death in literature --- comparative literature --- German literature --- -Civilization, Medieval, in literature --- Death in literature --- History and criticism --- Bible --- Genesis (Old Saxon poem) --- Heliand. --- Altsächsische Genesis --- In literature. --- women [female humans] --- Bijbel --- Germanic literature --- anno 500-1499 --- Germany --- Thematology --- Biblia --- History and criticism. --- German literature - Middle High German, 1050-1500 - History and criticism --- literature [documents] --- dood --- Allemand (langue) --- Poesie religieuse allemande --- 750-1050 (vieux haut allemand) --- 9e siecle
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Antwerpen, Minderbroedersklooster --- Rubens, Peter Paul --- Sint-Michielskerk [Antwerpen] --- Antwerp --- Christian art and symbolism --- Belgium --- Antwerp (Belgium) --- Modern period, 1500 --- -Art [Baroque ] --- Painting [Baroque ] --- Criticism and interpretation --- wetenschappelijk onderzoek --- kerken --- Antwerpen
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Bergé, Jacques --- Sculpture, Flemish --- Bergé, Jacques, --- Criticism and interpretation --- Brussels (Belgium) --- Buildings, structures, etc --- 73 BERGE, JACQUES --- 73 <493> "17" --- 949.32 LEUVEN --- Flemish sculpture --- Beeldhouwkunst. Sculptuur--BERGE, JACQUES --- Beeldhouwkunst. Sculptuur--België--18e eeuw. Periode 1700-1799 --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Berge, Jacques --- -Criticism and interpretation --- -Buildings, structures, etc --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 73 <493> "17" Beeldhouwkunst. Sculptuur--België--18e eeuw. Periode 1700-1799 --- 73 BERGE, JACQUES Beeldhouwkunst. Sculptuur--BERGE, JACQUES --- Bergé, Jacques, --- Criticism and interpretation. --- Buildings, structures, etc. --- Bergé (Jacques). --- 726.5 --- Geschiedenis van België: hertogdom Brabant--provincie Brabant--(reg./lok.)--LEUVEN --- Sculpture, Flemish - Belgium - Brussels - 18th century --- Bergé, Jacques, - 1696-1756 - Criticism and interpretation --- Brussels (Belgium) - Buildings, structures, etc --- Berge (jacques) --- Bruxelles (belgique) --- Architectes belges --- Biographie --- Constructions --- 18e siecle --- Bergé, Jacques, - 1696-1756
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History of the law --- Law --- Droit --- History --- Sources --- Histoire --- Historiography --- Histoire du droit --- --Sources --- --Méthodologie --- --Colloque --- --1992 --- --Bruxelles --- --History --- Congresses --- 930.22 --- -Law --- -Acts, Legislative --- Enactments, Legislative --- Laws (Statutes) --- Legislative acts --- Legislative enactments --- Jurisprudence --- Legislation --- Historical criticism --- Authorship --- Bronnenstudie. Oorkondenleer. Diplomatiek --- -Congresses --- Criticism --- Congresses. --- recht --- geschiedenis - filosofie - historiografie --- 930.22 Bronnenstudie. Oorkondenleer. Diplomatiek --- -Bronnenstudie. Oorkondenleer. Diplomatiek --- geschiedenisfilosofie - historiografie --- -930.22 Bronnenstudie. Oorkondenleer. Diplomatiek --- Acts, Legislative --- History&delete& --- Belgium --- Historiography - Congresses --- Law - History - Congresses --- Méthodologie --- Colloque --- Bruxelles --- geschiedenis
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